翻訳と辞書 Words near each other ・ Ashland Stakes ・ Ashland State Park ・ Ashland Theological Seminary ・ Ashland Town Center ・ Ashland Town Hall ・ Ashland Town House ・ Ashland Township ・ Ashland Township, Cass County, Illinois ・ Ashland Township, Clarion County, Pennsylvania ・ Ashland Township, Dodge County, Minnesota ・ Ashland Township, Michigan ・ Ashland Township, Morgan County, Indiana ・ Ashland Township, Saunders County, Nebraska ・ Ashland tragedy ・ Ashland UDC Jefferson Davis Highway Marker ・ Ashkan Sahihi ・ Ashkan Soltani ・ Ashkan-e Olya ・ Ashkan-e Sofla ・ Ashkani ・ Ashkar ・ Ashkar Meydan ・ Ashkara Rural District ・ Ashkasham ・ Ashkeh Tochal ・ Ashkelon ・ Ashkelon (disambiguation) ・ Ashkelon Academic College ・ Ashkelon Coal Jetty Breakwater Light ・ Ashkelon Marina Breakwater Light Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Ashkan Sahihi ： ウィキペディア英語版 Ashkan Sahihi Ashkan Sahihi is an Iranian-American photographer known for his unique photographic series. == Life and Work == Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue. Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Ashkan Sahihi」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.